The Cloths of Heaven

SATB, minimal splits up to SSAATTBB

c. 1’40”

Performed by Avon Chamber Choir, directed by Esther Bersweden, 2022

Had I the heavens’ embroidered cloths,
Enwrought with golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the half light,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams.

W. B. Yeats (1865–1939)

If you would like to perform this piece, please get in touch via the Contact pageI am happy to send perusal scores if interest is expressed.

The Angel Gabriel

SAB and Piano/Organ

c. 2’45”

Recorded virtually by Alex Scott and Esther Bersweden, 2020. Piano: Alex Scott

The angel Gabriel from heaven came,
his wings as drifted snow, his eyes as flame;
‘All hail,’ said he, ‘thou lowly maiden Mary,
most highly favoured lady,’ Gloria!

‘For know a blessed Mother thou shalt be,
all generations laud and honour thee,
thy Son shall be Emmanuel, by seers foretold,
most highly favoured lady,’ Gloria!

Then gentle Mary meekly bowed her head,
‘To me be as it pleaseth God,’ she said,
‘my soul shall laud and magnify his holy Name.’
Most highly favoured lady, Gloria!

Of her, Emmanuel, the Christ, was born
in Bethlehem, all on a Christmas morn,
and Christian folk throughout the world will ever say –
Most highly favoured lady, Gloria!

Sabine Baring-Gould (1834-1924)

RSCM Carols for Sopranos, Altos
and Unison Lower Voices

Published by RSCM in September 2020, this anthology contains Esther’s setting of 
The Angel Gabriel.

Surge Illuminare

SATB with Soprano, Alto and Tenor Solos, splits up to SSAATTB

c. 4’30”

Performed by Avon Chamber Choir, directed by Esther Bersweden, 2025

Arise, shine for thy light is come:
And the glory of the Lord is risen upon thee.
For behold the darkness shall cover the earth and gross darkness the people.
But the Lord shall arise upon thee:
And his glory shall be seen upon thee.
And the Gentiles shall come to thy light:
And Kings to the brightness of thy rising.
Therefore the gate shall be open continually:
They shall not be shut day nor night.
Violence shall no more be heard in thy land:
Wasting nor destruction within thy borders.
But thou shalt call thy walls salvation and thy gates praise.
The sun shall be no more thy light by day:
Neither for brightness shall the moon give light unto thee.
But the Lord shall be unto thee an everlasting light and thy God thy Glory.
And they shall call thee the city of the Lord:
The Zion of the Holy One of Israel.

Glory be to the Father, and to the Son, and to the Holy Ghost.
As it was in the beginning, is now and ever shall be: world without end,
Amen.

Matins Canticle during Epiphanytide
(Isaiah 60:1-3, 11a, 18, 19, 14b)

If you would like to perform this piece, please get in touch via the Contact pageI am happy to send perusal scores if interest is expressed.

So What is Love?

SATB

c. 2′

Performed by Avon Chamber Choir, directed by Esther Bersweden, 2025

So what is love? If thou wouldst know
The heart alone can tell:
Two minds with but a single thought,
Two hearts that beat as one.

And whence comes Love? Like morning bright
Love comes without thy call.
And how dies Love? A spirit bright,
Love never dies at all.

Maria Lovell (1803-1877)

If you would like to perform this piece, please get in touch via the Contact pageI am happy to send perusal scores if interest is expressed.

Search Me, O God

SATB and Organ

c. 3’50”

Commissioned for Christopher Powell

Performed by the University of Bristol Church Choir, directed by Esther Bersweden, 2021. Organ: Isaac Powell

You have searched me Lord, and you know me.
You know when I sit and when I rise;
you perceive my thoughts from afar.
You discern my going out and my lying down;
you are familiar with all my ways.

Before a word is on my tongue,
you, Lord, you know it completely.
You hem me in behind and before,
and you lay your hand upon me.

Such knowledge is too wonderful for me,
too lofty for me to attain.
Search me, O God, and know my heart;
and lead me in the way everlasting.

Psalm 139:1-6, 23-24

If you would like to perform this piece, please get in touch via the Contact pageI am happy to send perusal scores if interest is expressed.

Safe

SATB with Alto Solo, splits up to SSAATTB

c. 4’10”

Performed by Avon Chamber Choir, directed by Esther Bersweden, 2024

This morning
when the wren sang its tiny heart out to be heard over the rush hour
And the sun pushed hopefully through the naked trees
I heard you

This evening
when the fox froze in the icy pool of streetlight
And the clouds tried to dull the moon’s ecstatic brilliance
I saw you

Last night
when the rain drummed a jazz rhythm
On the glass
And I was warm-wrapped safe
I felt you

You’re always around me,
Whenever I hear you
Each time I see you
The moment I feel you
You’re with me.

© Paddy Moore

If you would like to perform this piece, please get in touch via the Contact pageI am happy to send perusal scores if interest is expressed.

Requiem VII: Lux Aeterna

This is the seventh movement of the Requiem. Other movements can be found here:

SATB and Organ, minimal splits up to SSAATB

c. 3’45”

Performed by Avon Chamber Choir with guest singers, directed by Esther Bersweden, 2022. Organ: Isaac Powell

Lux aeterna luceat eis, Domine:
Cum Sanctis tuis in aeternum:
quia pius es.
Requiem aeternam dona eis, Domine:
et lux perpetua luceat eis.
Cum Sanctis tuis in aeternum:
quia pius es.

May light eternal shine upon them, O Lord,
with Thy Saints for evermore,
for Thou art gracious.
Eternal rest give to them, O Lord,
and let perpetual light shine upon them.
With Thy Saints for evermore,
for Thou art gracious.

If you would like to perform the whole Requiem or individual movements, please get in touch via the Contact pageI am happy to send perusal scores if interest is expressed.

Requiem VI: The Darkness is as Light

This is the sixth movement of the Requiem. Other movements can be found here:

SATB with Baritone Solo, minimal splits up to SSAATTBB

c. 4’50”

Performed by Avon Chamber Choir, directed by Esther Bersweden, 2022. Organ: Isaac Powell. Soloist: Ben Pennington

Where can I go from your Spirit?
Where can I flee from your presence?
If I go up to the heavens, you are there;
if I go down to the depths, you are there.
If I rise on the wings of the dawn,
if I settle on the far side of the sea,
even there your hand will guide me,
your right hand will hold me fast.
If I say, “Surely the darkness will hide me
and the light become night around me,”
even the darkness will not be dark to you;
the night will shine like the day,
for darkness is as light to you.

Psalm 139:7-12

If you would like to perform the whole Requiem or individual movements, please get in touch via the Contact pageI am happy to send perusal scores if interest is expressed.

Requiem V: Agnus Dei

This is the fifth movement of the Requiem. Other movements can be found here:

SATB and Organ, splits up to SSAATB

c. 4’30”

Performed by Avon Chamber Choir with guest singers, directed by Esther Bersweden, 2022. Organ: Isaac Powell

Agnus Dei, qui tollis peccata mundi:
dona eis requiem.
Agnus Dei, qui tollis peccata mundi:
dona eis requiem.
Agnus Dei, qui tollis peccata mundi:
dona eis requiem sempiternam.

Lamb of God, who takes away the sins of the world, grant them rest.
Lamb of God, who takes away the sins of the world, grant them rest.
Lamb of God, who takes away the sins of the world, grant them eternal rest.

If you would like to perform the whole Requiem or individual movements, please get in touch via the Contact pageI am happy to send perusal scores if interest is expressed.

Requiem IV: I Heard the Voice of Jesus Say

This is the fourth movement of the Requiem. Other movements can be found here:

SATB and Organ

c. 7’15”

In this movement, an unaccompanied verse of singing is followed by an Organ Interlude based on the opening melody.

There a fully choral version of this movement with all three verses, which can be found here.

Performed by Avon Chamber Choir with guest singers, directed by Esther Bersweden, 2022. Organ: Isaac Powell

I heard the voice of Jesus say,
‘Come unto me and rest;
lay down, thou weary one, lay down
thy head upon my breast.’
I came to Jesus as I was,
weary, and worn, and sad;
I found in him a resting place,
and he has made me glad.

Horatius Bonar (1808-1889)

If you would like to perform the whole Requiem or individual movements, please get in touch via the Contact pageI am happy to send perusal scores if interest is expressed.