Words of Salvation

SATB with Soprano and Baritone Solos, splits up to SSAATTBB

c. 4’30”

Commissioned by Max Barley, Sarah Colley and The Choir of St Mary’s, Wimbledon, as part of the choir’s “Seven Last Words from the Cross” project

Performed by the Choir at St Mary’s Wimbledon, directed by Max Barley

Jesus, remember me when you come into your kingdom. He replied, Truly I tell you, today you will be with me in paradise.

Luke 23:42-3

O keep my soul and deliver me; let me not be
put to shame, for I have put my trust in you.

Psalm 25:20

Save your people and bless your inheritance;
shepherd them and carry them for ever.

Psalm 28:9


If you would like to perform this piece, please get in touch via the Contact page
I am happy to send perusal scores if interest is expressed.

Wither’s Rocking Hymn

SATB

c. 3’15

Sweet baby, sleep; what ails my dear?
What ails my darling thus to cry?
Be still, my child, and lend thine ear
To hear me sing thy lullaby.
My pretty lamb, forbear to weep;
Be still, my dear; sweet baby, sleep.

Whilst thus thy lullaby I sing,
For thee great blessings ripening be;
Thine eldest brother is a king,
And hath a kingdom bought for thee.
Sweet baby, then, forebear to weep,
Be still, my dear; sweet baby, sleep.

The King of kings when he was born,
Had not so much for outward ease;
By him such dressings were not worn,
Nor suchlike swaddling-clothes as these.
Sweet baby, then, forbear to weep;
Be still, my dear; sweet baby, sleep.

George Wither (1588-1667)


If you would like to perform this piece, please get in touch via the Contact page
I am happy to send perusal scores if interest is expressed.

Wisdom

SSA and Organ

c. 4’10”

Commissioned by Samantha Price, GSA President 2021-2022 & Headmistress of Benenden School, to mark the Heads’
Conference, Manchester, November 2021

Performed by Benenden School Chapel Choir, directed by Edward Whiting, 2021

While I was still young, I sought Wisdom openly in my prayer.
Before the temple I asked for her, and I will search for her until the end.
From the first blossom to the ripening grape, my heart delighted in her.

My foot walked on the straight path, from my youth I followed her steps.
I inclined my ear a little and received her, I found for myself much instruction.
I made progress in Wisdom; to the One who sent her, I will give glory.

I directed my soul to Wisdom, and in purity have I found her.
With her I gained understanding from the first, therefore will I never be forsaken.
My heart was stirred to seek her, with my tongue will I sing God’s praise.

Ecclesiasticus 51.13a, 13c-17, 20, 21a, 22b

If you would like to perform this piece, please get in touch via the Contact pageI am happy to send perusal scores if interest is expressed.

We Three Kings

This is an arrangement of the setting by J. H. Hopkins (1820-91).

SATB

c. 5’15”

Performed by Avon Chamber Choir, directed by Esther Bersweden, 2026

We three kings of Orient are;
Bearing gifts we traverse afar
Field and fountain, moor and mountain,
Following yonder star:

O star of wonder, star of night,
Star with royal beauty bright,
Westward leading, still proceeding,
Guide us to thy perfect light.

Born a king on Bethlehem plain,
Gold I bring, to crown him again –
King forever, ceasing never,
Over us all to reign:

O star of wonder…

Frankincense to offer have I;
Incense owns a Deity nigh:
Prayer and praising, all men raising,
Worship him, God most high:

O star of wonder…

Myrrh is mine; its bitter perfume
Breathes a life of gathering gloom;
Sorrowing, sighing, bleeding, dying,
Sealed in the stone-cold tomb:

O star of wonder…

Glorious now, behold him arise,
King, and God, and sacrifice!
Heav’n sings alleluya,
Alleluya the earth replies:

O star of wonder…

J. H. Hopkins (1820-91)


If you would like to perform this piece, please get in touch via the Contact page
I am happy to send perusal scores if interest is expressed.

Time and Tides VI: Even Such is Time

This is the sixth movement of Time and Tides, commissioned by Eltham Choral Society. Other movements can be found here:

SATB and Organ

c. 5’30”

Performed by Eltham Choral Society, directed by Max Barley, 2024. Organ: Matthew Jorysz

Even such is time, that takes in trust
Our youth, our joys, our all we have,
And pays us but with age and dust;
Who, in the dark and silent grave,
When we have wandered all our ways,
Shuts up the story of our days.
But from this earth, this grave, this dust,
My God shall raise me up, I trust.

Sir Walter Raleigh (1552-1618)

If you would like to perform all of Time and Tides or individual movements, please get in touch via the Contact pageI am happy to send perusal scores if interest is expressed.

Time and Tides V: When I Heard the Learn’d Astronomer

This is the fifth movement of Time and Tides, commissioned by Eltham Choral Society. Other movements can be found here:

SATB and Organ

c. 5′

Performed by Eltham Choral Society, directed by Max Barley, 2024. Organ: Matthew Jorysz

When I heard the learn’d astronomer,
When the proofs, the figures, were ranged in columns before me,
When I was shown the charts and diagrams, to add, divide, and measure them,
When I sitting heard the astronomer where he lectured
with much applause in the lecture-room,
How soon unaccountable I became tired and sick,
Till rising and gliding out I wander’d off by myself,
In the mystical moist night-air, and from time to time,
Look’d up in perfect silence at the stars.

Walt Whitman (1819-1892)

If you would like to perform all of Time and Tides or individual movements, please get in touch via the Contact pageI am happy to send perusal scores if interest is expressed.

Time and Tides IV: One Tree Hill

This is the fourth movement of Time and Tides, commissioned by Eltham Choral Society. Other movements can be found here:

SATB and Organ

c. 7’30”

In this movement, an unaccompanied verse of singing is followed by an Organ Interlude based on the opening melody.

Performed by Eltham Choral Society, directed by Max Barley, 2024. Organ: Matthew Jorysz

Here fair Eliza, Virgin Queen
From business free, enjoy’d the scene.
Here oft in pensive mood she stood
And kindly plan’d for Britain’s good:
So record tells and this beside,
Sung ditties to the silver tide
Full worth such honours art thou still,
Belov’d of thousands, One Tree Hill.

T. N. One Tree Hill, The London Chronicle
May 25-27th, 1784

If you would like to perform all of Time and Tides or individual movements, please get in touch via the Contact pageI am happy to send perusal scores if interest is expressed.

Time and Tides III: A Drop of Nelson’s Blood

This is the third movement of Time and Tides, commissioned by Eltham Choral Society. Other movements can be found here:

SATB and Organ, with optional Tambourine

c. 2’50”

Performed by Eltham Choral Society, directed by Max Barley, 2024. Organ: Matthew Jorysz. Tambourine: Josh Hutchinson

Oh, a drop of Nelson’s blood wouldn’t do us any harm,
And a drop of Nelson’s blood wouldn’t do us any harm,
And a drop of Nelson’s blood wouldn’t do us any harm,
And we’ll all hang on behind.

Come on and roll the old chariot along,
We’ll roll the old chariot along,
And we’ll roll the old chariot along,
And we’ll all hang on behind!

Oh, a bottle of rum wouldn’t do us any harm,
And a bottle of rum wouldn’t do us any harm,
And a bottle of rum wouldn’t do us any harm,
And we’ll all hang on behind.

Come on and roll the old chariot along,
We’ll roll the old chariot along,
And we’ll roll the old chariot along,
And we’ll all hang on behind!

Oh, a drop of Nelson’s blood wouldn’t do us any harm,
And a drop of Nelson’s blood wouldn’t do us any harm,
And a drop of Nelson’s blood wouldn’t do us any harm,
And we’ll all hang on behind.

Come on and roll the old chariot along,
We’ll roll the old chariot along,
And we’ll roll the old chariot along,
And we’ll all hang on behind!

Traditional

If you would like to perform all of Time and Tides or individual movements, please get in touch via the Contact pageI am happy to send perusal scores if interest is expressed.

Time and Tides II: The Lady Oriana

This is the second movement of Time and Tides, commissioned by Eltham Choral Society. Other movements can be found here:

SATB and Organ

c. 5′

Performed by Eltham Choral Society, directed by Max Barley, 2024. Organ: Matthew Jorysz

The Lady Oriana
Was dight all in the treasures of Guiana;
And on her Grace a thousand Graces tended:
And thus sang they: Fair Queen of peace and plenty,
The fairest Queen of twenty.
Then with an olive wreath, for peace renowned,
Her virgin head they crowned:
Which ceremony ended,
Unto her Grace the thousand Graces bended.
Then sang the shepherds and nymphs of Diana:
Long live fair Oriana.

John Wilbye (1574-1638)

If you would like to perform all of Time and Tides or individual movements, please get in touch via the Contact pageI am happy to send perusal scores if interest is expressed.

Time and Tides I: Time

This is the first movement of Time and Tides, commissioned by Eltham Choral Society. Other movements can be found here:

SATB and Organ

c. 6’30”

Performed by Eltham Choral Society, directed by Max Barley, 2024. Organ: Matthew Jorysz

There is a time for everything,
and a season for every activity under the heavens:
a time to be born and a time to die,
a time to plant and a time to uproot,
a time to kill and a time to heal,
a time to tear down and a time to build,
a time to weep and a time to laugh,
a time to mourn and a time to dance,
a time to scatter stones and a time to gather them,
a time to embrace and a time to refrain from embracing,
a time to search and a time to give up,
a time to keep and a time to throw away,
a time to tear and a time to mend,
a time to be silent and a time to speak,
a time to love and a time to hate,
a time for war and a time for peace.

Ecclesiastes 3:1-8 (NIV)

If you would like to perform all of Time and Tides or individual movements, please get in touch via the Contact pageI am happy to send perusal scores if interest is expressed.